Tag: Aesthetic

Free Download Min Tian, "The Spectre of Tradition and the Aesthetic-Political Movement of Theatre and Performance "
English | ISBN: 1032146958 | 2022 | 294 pages | PDF | 4 MB
This book interrogates anew the phenomenon of tradition in a dialogical debate with a host of Western thinkers and critical minds.

Free Download Mary-Jo Arn, "Charles d’Orléans’ English Aesthetic: The Form, Poetics, and Style of Fortunes Stabilnes"
English | ISBN: 1843845679 | 2020 | 307 pages | PDF | 10 MB
The compilation Fortunes Stabilnes, the English poetry Charles d’Orléans wrote in the course of his twenty-five year captivity in England after Agincourt, requires a larger lens than that of Chaucerianism, through which it has most often been viewed. A fresh view from another perspective, one that attends to form and style, as well as to the poet’s French traditions, reveals a more conceptually complex and innovative kind of poetry than we have seen until now.

Free Download Sarah Bianchi, "An Aesthetic Critique of Digital Enhancement: Government of the Self and Desire"
English | ISBN: 1666928313 | 2023 | 312 pages | EPUB, PDF | 547 KB + 2 MB
The socio-cultural phenomenon of digital enhancement, that is, the attempt to perfect the subject’s offline life by means of digital media, seduces people into participating in digitalization. Subjects paradoxically want to participate in digital change even though it is well known that digitalization also impairs their freedom and privacy, and this book investigates both the freedom-impairing and the freedom-enhancing aspects of digital enhancement. Sarah Bianchi provides an empirically informed critical aesthetic diagnosis, a perspective that makes the overlooked affect- and power-sensitive Janus face of subjectivity in digital enhancement perceivable: the subjects’ desire to be governed by the logic of perfection-that is, the heart of digital enhancement-and their simultaneous desire for self-government. To this end, An Aesthetic Critique of Digital Enhancement: Government of the Self and Desire makes Foucault’s "history of the present" in its Nietzschean genealogy productive for contemporary critical thought on digital enhancement. Through genealogical critique, this approach provides the needed semantics to question the costs of our digital present and to conceptualize how an enlightened agency might be critically constructed.

Free Download Microsoft OneDrive: Unlock Your World: Microsoft OneDrive – Your Passport to Seamless Digital Freedom
by Sam Aesthetic
English | December 3, 2023 | ISBN: N/A | ASIN: B0CPFP7HDJ | 118 pages | PDF | 20 Mb

Free Download Michael Maizels, "Barry Le Va: The Aesthetic Aftermath"
English | 2015 | pages: 224 | ISBN: 0816694699, 0816694680 | PDF | 4,4 mb
Of the conceptual artists who began their careers in the 1960s and 1970s-Bruce Nauman, Chris Burden, Vito Acconci, and Mel Bochner among them-Barry Le Va may be the most elusive. As this first study of his work reveals, his rigorously planned art was instigated to mask its creator’s intentions and methods, presenting itself as an "aftermath" of modernism’s claim to permanency and civil society’s preferred mode of monumentalism.

Free Download Aesthetic Gynecology Rejuvenation
English | 2024 | ISBN: 0367372908 | 135 Pages | PDF (True) | 1 GB
Aesthetic Gynecology is a fast-growing market amid much new demand from patients since gynecological defects can have considerable impact on their quality of life. This fully illustrated text provides an authoritative guide from international experts on the anatomical, functional, and medical aspects, details the surgical treatments, and documents the clinical and procedural points arising.

Free Download Retrospective: A Historiographical Aesthetic in Contemporary Singapore and Malaysia by June Yap
English | August 15, 2017 | ISBN: 1498555810 | 366 pages | EPUB | 3.72 Mb
Developed as an exploratory study of artworks by artists of Singapore and Malaysia, Retrospective attempts to account for contemporary artworks that engage with history. These are artworks that reference past events or narratives, of the nation and its art. Through the examination of a selection of artworks produced between 1990 and 2012, Retrospective is both an attribution and an analysis of a historiographical aesthetic within contemporary art practice. It considers that, by their method and in their assembly, these artworks perform more than a representation of a historical past. Instead, they confront history and its production, laying bare the nature and designs of the historical project via their aesthetic project. Positing an interdisciplinary approach as necessary for understanding the historiographical as aesthetic, Retrospective considers not only historical and aesthetic perspectives, but also the philosophical, by way of ontology, in order to broaden its exposition beyond the convention of historical and contextual interpretation of art. Yet, in associating these artworks with a historiographical aesthetic, this exposition may be regarded as a historiographical exercise in itself, affirming the significance of these artworks for the history of Singapore and Malaysia. In short, which history rarely is, Retrospective is about the art of historicisation and the historicisation of art.

Free Download Image-Guided Aesthetic Treatments
English | 2023 | ISBN: 3031362640 | 735 Pages | PDF EPUB (True) | 165 MB
This book offers a detailed and up-to-date overview of image-guided aesthetic treatments. A wide range of aesthetic image-guided procedures in different body regions are described in more than twenty chapters. For each procedure, the benefits of image guidance are identified and its use is clearly explained. The coverage includes all the major tools commonly employed by today’s aesthetic and plastic surgeons, such as spectral imaging, laser, microfocused ultrasound, and radiofrequency technologies. Image guidance of aesthetic treatments has a variety of benefits: Image-guided treatment by means of non-surgical or minimally invasive modalities greatly reduces patient anxiety and the likelihood of postoperative disfigurement. Image guidance allows the physician to measure the skin thickness and the depth of fat tissue and to evaluate the elasticity of the skin and subcutaneous tissues, improving thermal treatment outcomes. It can also map the arteries, veins, and nerves, thereby providing preoperative landmarks and permitting reduction of postoperative bleeding and avoidance of nerve damage. Furthermore, imaging can non-invasively identify subdermal fillers or implants, assisting in the identification of migration with attendant vascular compromise or nerve entrapment. Image-Guided Aesthetic Treatments will be a valuable guide and reference not only for aesthetic practitioners, plastic surgeons, and other specialists, but also for imaging technicians and interested laypersons.

Free Download Chicana Art: The Politics of Spiritual and Aesthetic Altarities By Laura E. Pérez
2007 | 408 Pages | ISBN: 0822338521 | PDF | 6 MB
In Alma Lopez’s digital print Lupe & Sirena in Love (1999), two icons-the Virgin of Guadalupe and the mermaid Sirena, who often appears on Mexican lottery cards-embrace one another, symbolically claiming a place for same-sex desire within Mexican and Chicano/a religious and popular cultures. Ester Hernandez’s 1976 etching Libertad/Liberty depicts a female artist chiseling away at the Statue of Liberty, freeing from within it a regal Mayan woman and, in the process, creating a culturally composite Lady Liberty descended from indigenous and mixed bloodlines. In her painting Coyolxauhqui Last Seen in East Oakland (1993), Irene Perez reimagines as whole the body of the Aztec warrior goddess dismembered in myth. These pieces are part of the dynamic body of work presented in this pioneering, lavishly illustrated study, the first book primarily focused on Chicana visual arts.Creating an invaluable archive, Laura E. Pérez examines the work of more than forty Chicana artists across a variety of media including painting, printmaking, sculpture, performance, photography, film and video, comics, sound recording, interactive CD-ROM, altars and other installation forms, and fiction, poetry, and plays. While key works from the 1960s and 1970s are discussed, most of the pieces considered were produced between 1985 and 2001. Providing a rich interpretive framework, Pérez describes how Chicana artists invoke a culturally hybrid spirituality to challenge racism, bigotry, patriarchy, and homophobia. They make use of, and often radically rework, pre-Columbian Mesoamerican and other non-Western notions of art and art-making, and they struggle to create liberating versions of familiar iconography such as the Virgin of Guadalupe and the Sacred Heart. Filled with representations of spirituality and allusions to non-Western visual and cultural traditions, the work of these Chicana artists is a vital contribution to a more inclusive canon of American arts.

Free Download The Process Genre: Cinema and the Aesthetic of Labor By Salomé Aguilera Skvirsky
2020 | 336 Pages | ISBN: 1478007079 | PDF | 22 MB
From IKEA assembly guides and "hands and pans" cooking videos on social media to Mister Rogers’s classic factory tours, representations of the step-by-step fabrication of objects and food are ubiquitous in popular media. In The Process Genre Salomé Aguilera Skvirsky introduces and theorizes the process genre-a heretofore unacknowledged and untheorized transmedial genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product. Originating in the fifteenth century with machine drawings, and now including everything from cookbooks to instructional videos and art cinema, the process genre achieves its most powerful affective and ideological results in film. By visualizing technique and absorbing viewers into the actions of social actors and machines, industrial, educational, ethnographic, and other process films stake out diverse ideological positions on the meaning of labor and on a society’s level of technological development. In systematically theorizing a genre familiar to anyone with access to a screen, Skvirsky opens up new possibilities for film theory.