Tag: Beckett

Beckett’s Dantes Intertextuality in the fiction and criticism


Free Download Daniela Caselli, "Beckett’s Dantes: Intertextuality in the fiction and criticism"
English | 2009 | ISBN: 0719071577 | EPUB | pages: 232 | 0.6 mb
Beckett’s Dantes: Intertextuality in the Fiction and Criticism is the first study in English on the literary relation between Beckett and Dante. It is an innovative reading of Samuel Beckett and Dante’s works and a critical engagement with contemporary theories of intertextuality. It is an informative intertextual reading of Beckett’s work, detecting previously unknown quotations, allusions to, and parodies of Dante in Beckett’s fiction and criticism. The volume interprets Dante in the original Italian (as it appears in Beckett), translating into English all Italian quotations. It benefits from a multilingual approach based on Beckett’s published works in English and French, and on manuscripts (which use English, French, German and Italian). Through a close reading of Beckett’s fiction and criticism, the book will argue that Dante is both assumed as an external source of literary and cultural authority in Beckett’s work, and also participates in Beckett’s texts’ sceptical undermining of authority. Moreover, the book demonstrates that the many references to various ‘Dantes’ produce ‘Mr Beckett’ as the figure of the author responsible for such a remarkably interconnected oeuvre. The book is aimed at the scholarly communities interested in literatures in English, literary and critical theory, comparative literature and theory, French literature and theory and Italian studies. Its jargon-free style will also attract third-year or advanced undergraduate students, and postgraduate students, as well as those readers interested in the unusual relationship between one of the greatest writers of the twentieth century and the medieval author who stands for the very idea of the Western canon.

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Beckett and the Cognitive Method Mind, Models, and Exploratory Narratives


Free Download Marco Bernini, "Beckett and the Cognitive Method: Mind, Models, and Exploratory Narratives "
English | ISBN: 0190664355 | 2021 | 264 pages | EPUB | 3 MB
Does literature merely represent cognitive processes, or can it enhance, parallel, or reassess the scientific study of the mind? Beckett and the Cognitive Method argues that Samuel Beckett’s narrative work, rather than just expressing or rendering mental states, inaugurates an exploratory use of narrative as an introspective modeling technology. Through a detailed analysis of Beckett’s entire corpus and published volumes of letters, this book argues that Beckett pioneered a new method of writing to construct (in a mode analogous to scientific inquiry) models for the exploration of core laws, processes, and dynamics in the human mind.

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Beckett and media


Free Download Balazs Rapcsak, "Beckett and media"
English | ISBN: 1526145839 | 2022 | 248 pages | PDF | 6 MB
Beckett and media provides the first sustained examination of the relationship between Beckett and media technologies. The book analyses the rich variety of technical objects, semiotic arrangements, communication processes and forms of data processing that Beckett’s work so uniquely engages with, as well as those that – in historically changing configurations – determine the continuing performance, the audience reception, and the scholarly study of this work. Beckett and media draws on a variety of innovative theoretical approaches, such as media archaeology, in order to discuss Beckett’s intermedial oeuvre. As such, the book engages with Beckett as a media artist and examines the way his engagement with media technologies continues to speak to our cultural situation.

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Moments for Nothing Samuel Beckett and the End Times


Free Download Gabriele Schwab, "Moments for Nothing: Samuel Beckett and the End Times"
English | ISBN: 0231211619 | 2023 | 288 pages | PDF | 3 MB
Samuel Beckett’s work has entranced generations of readers with its portrayal of the end times. Beckett’s characters are preoccupied with death, and the specters of cataclysm and extinction overshadow their barren, bleak worlds. Yet somehow, they endure, experiencing surreal and often comic repetitions that seem at once to confront finitude and the infinite, up to the limits of existence.

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Bowie, Beckett, and Being The Art of Alienation


Free Download Rodney Sharkey, "Bowie, Beckett, and Being: The Art of Alienation"
English | ISBN: 1501391240 | 2024 | 256 pages | PDF | 3 MB
Addressing their shared passion for literature, art, and music, this book documents how Samuel Beckett and David Bowie produce extraordinarily empathetic creative outputs that reflect the experience and the effect of alienation. Through an exploration of their artistic practices, the study also illustrates how both artists articulate shared forms of human experience otherwise silenced by normative modes of representation. To liberate these experiences, Bowie and Beckett create alternative theatrical, musical, and philosophical spaces, which help frame the power relations of the psychological, verbal, and material places we inhabit. The result is that their work demonstrates how individuals are disciplined by the implicitly repressive social order of late capitalism, while, simultaneously, offering an informed political alternative. In making the injunctions of the social order apparent, Beckett and Bowie also transgress its terms, opening up new spaces beyond the conventional identities of family, nation, and gender, until both artists finally coalesce in the quantum space of the posthuman.

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Samuel Beckett’s ‘More Pricks Than Kicks’ In A Strait Of Two Wills


Free Download Erik Tonning, Matthew Feldman, "Samuel Beckett’s ‘More Pricks Than Kicks’: In A Strait Of Two Wills"
English | 2011 | pages: 288 | ISBN: 1441159479, 1472525728 | EPUB | 0,4 mb
Drawing on private correspondence and little known documents, published and unpublished, Pilling explores every aspect of the More Pricks Than Kicks short story collection. From its publishing history to why they were written, Pilling reveals Beckett’s conflicted feelings about the ‘compromise’ of writing short stories and his struggle to find a voice distinct from James Joyce, his friend and authority of the form.

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