Tag: Manley

Free Download Kumiko Tanabe, "Gerard Manley Hopkins and His Poetics of Fancy"
English | ISBN: 144387728X | 2015 | 245 pages | PDF | 4 MB
This book explores the poetics of fancy in the works of Gerard Manley Hopkins, a term often paired with imagination in well-known Romantic poetics. It sheds new light on this concept, which is described positively in Hopkinss poetics and later becomes the essence of his idiosyncratic concept of inscape, as shown here. Chapter One discusses the influence of Coleridge and Ruskin on Hopkinss poetics of fancy, Hopkinss experiments in the language of inspiration produced by fancy before his conversion to Catholicism, his idea of inscape as revealed by fancy, and the relation between his fancy and the aesthetics of Romantic poets such as Keats and Wordsworth. Chapter Two focuses on the concept of fancy in Hopkinss predecessors, William Shakespeare and Alfred Lord Tennyson, who, along with Coleridge and Ruskin, had a major influence on the writer, leading him to pen the play Floris in Italy and the sonnet series The Beginning of the End in order to experiment with the language of inspiration which he argued only fancy could produce. This chapter also discusses Hopkinss interest in J. E. Millais and the impact of the Pre-Raphaelites in the development of his poetics of fancy, Hopkinss fancy as metalanguage, the contrast between his fancy and the impressionism of Walter Pater, and the role of fancy in Hopkinss sonnets. Chapter Three treats Hopkinss conversion to Catholicism and his views on Catholic art, including his interest in William Butterfield and the Gothic Revival, as well as the abrupt parallelism between Christ and fancy in The Wreck of the Deutschland. Hopkinss poetic diction is a condensed evocation of art and nature with fancy as the source of his inspiration. His metaphors are not ordinary figures expressing the attributes of things, but are autonomous and have their nature within themselves. Hopkinss poetic idiosyncrasy is generated by the parallelism between distinctive and autonomous images which repeat the surprise and ecstasy of the poet contemplating art and nature. He endeavoured to achieve the poetry of inspiration with his emphasis on fancy as the basis of his poetic diction so as to reinstate it as the source of a new Realism. Hopkinss fancy foregrounds the discontinuous nature of a new poetic diction, which demonstrates unfettered combinations between autonomous images and signs in metalanguage in advance of semiotic literary theories.

Free Download Mirko Starčević, "Gerard Manley Hopkins’s Poetics of Anxiety and Transience"
English | ISBN: 1527551377 | 2023 | 237 pages | PDF | 1398 KB
This book analyses the themes of anxiety and transience in the poetical thought of Gerard Manley Hopkins, a prominent 19th-century poet. The book argues that, despite Hopkins’s strong religious beliefs, his artistic vision and quest for an original aesthetic were the foremost concerns in his poetry. The author examines Hopkins’s early interest in transience, which he later developed through the influence of the philosopher Duns Scotus and the aesthetic critic Walter Pater. In the second half of the book, the author employs Martin Heidegger’s philosophy to deepen our understanding of Hopkins’s poetics of anxiety and transience. He illuminates how these themes shaped Hopkins’s poetic voice, revealing his affinity with Romanticism and his belief that transience and anxiety enhance rather than hinder the creative process. The book provides a fresh perspective on Hopkins’s work, challenging the prevailing views that downplay the importance of these themes. While the book is primarily a contribution to literary scholarship, it may also appeal to readers interested in the intersection of literature, philosophy and art.