Tag: Antebellum

Slave Religion The Invisible Institution in the Antebellum South


Free Download Slave Religion: The "Invisible Institution" in the Antebellum South by Albert J. Raboteau, Rodney Louis Tompkins, Upfront Books
English | 2022 | ISBN: B09RTQWF88 | 15 hours and 27 minutes / Format: M4B / Bitrate: 32 Kbps | 228 Mb
Twenty-five years after its original publication, Slave Religion remains a classic in the study of African American history and religion. In a new chapter in this anniversary edition, author Albert J. Raboteau reflects upon the origins of the book, the reactions to it over the past 25 years, and how he would write it differently today.
Using a variety of first and secondhand sources – some objective, some personal, all riveting – Raboteau analyzes the transformation of the African religions into evangelical Christianity. He presents the narratives of the slaves themselves, as well as missionary reports, travel accounts, folklore, Black autobiographies, and the journals of White observers to describe the day-to-day religious life in the slave communities. Slave Religion is a must-listen for anyone wanting a full picture of this "invisible institution".

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Prophets, Publicists, and Parasites Antebellum Print Culture and the Rise of the Critic


Free Download Prophets, Publicists, and Parasites: Antebellum Print Culture and the Rise of the Critic By Adam Gordon
2020 | 280 Pages | ISBN: 1625344538 | PDF | 10 MB
Print culture expanded significantly in the nineteenth century due to new print technologies and more efficient distribution methods, providing literary critics, who were alternately celebrated and reviled, with an ever-increasing number of venues to publish their work. Adam Gordon embraces the multiplicity of critique in the period from 1830 to 1860 by exploring the critical forms that emerged. Prophets, Publicists, and Parasites is organized around these sometimes chaotic and often generative forms and their most famous practitioners: Edgar Allan Poe and the magazine review; Ralph Waldo Emerson and the quarterly essay; Rufus Wilmot Griswold and the literary anthology; Margaret Fuller and the newspaper book review; and Frederick Douglass’s editorial repurposing of criticism from other sources. Revealing the many and frequently competing uses of criticism beyond evaluation and aesthetics, this insightful study offers a new vision of antebellum criticism, a new model of critical history, and a powerful argument for the centrality of literary criticism to modern life.

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