Tag: Cinema

Chaos V-Ray 6, Update 2.1 (6.20.01) for Cinema 4D Win x64


Free Download Chaos V-Ray 6, Update 2.1 (6.20.01) for Cinema 4D | 3.4 Gb
Chaoshas releasedV-Ray 6, Update 2.1 for Cinema 4D. This release introduce a new Adaptivity Clamp option allowing control over the sampling in overexposed regions of the image as well as the option to use different textures for each axis of the V-Ray Triplanar texture.
Owner:Chaos Group
Product Name:V-Ray 6
Version:Update 2.1 (6.20.01) Build 32461
Supported Architectures:x64
Website Home Page :www.chaosgroup.com
Languages Supported:english
System Requirements:Windows *
Software Prerequisites:pre-installed Maxon Cinema 4D R21- 2024
Size:3.4 Gb

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Maxon Cinema 4D 2024.2.0 macOS


Free Download Maxon Cinema 4D 2024.2.0 macOs | 2.4 Gb
Languages Supported: English, العربية, 中文, Čeština, Deutsch, Español,
Français, Italiano, 日本語, 한국어, Polski, Русский

Owner:Maxon Computer
Product Name:CINEMA 4D Studio
Version:2024.2.0
Supported Architectures:x64
Website Home Page :www.maxon.net
Languages Supported:multilanguage
System Requirements:macOs *
Size:2.4 Gb

Maxon has released Cinema 4D 2024.2.0, the latest version of its 3D design and animation software. This update is highly recommended for all 2024 users.

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Writing and Cinema


Free Download Jonathan Bignell, "Writing and Cinema "
English | ISBN: 0582357578 | | pages | EPUB, PDF | 488 KB + 9 MB
This collection of essays examines the ways in which writing and cinema can be studied in relation to each other. A wide range of material is presented, from essays which look at particular films, including The Piano and The English Patient, to discussions of the latest developments in film studies including psychoanalytic film theory and the cultural study of film audiences. Specific topics that the essays address also include: the kinds of writing produced for the cinema industry, advertising, film adaptations of written texts and theatre plays from nineteenth century ‘classic’ novels to recent cyberpunk science fiction such as Blade Runner and Starship Troopers. The essays deal with existing areas of debate, like questions of authorship and audience, and also break new ground, for example in proposing approaches to the study of writing on the cinema screen. The book includes a select bibliography, and a documents section gives details of a range of films for further study.

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Transnational European Cinema Representation, Audiences, Identity


Free Download Huw D. Jones, "Transnational European Cinema: Representation, Audiences, Identity "
English | ISBN: 3031445945 | 2024 | 288 pages | EPUB, PDF | 2 MB + 7 MB
This book explores how audiences in contemporary Europe engage with films from other European countries. It draws on admissions data, surveys, and focus group discussions from across the continent to explain why viewers are attracted to particular European films, nationalities, and genres, including action-adventures, family films, animations, biopics, period dramas, thrillers, comedies, contemporary drama, and romance. It also examines how these films are financed, produced, and distributed, how they represent Europe and other Europeans, and how they affect audiences. Case-studies range from mainstream movies like Skyfall, Taken, Asterix & Obelix: God Save Britannia, and Sammy’s Adventures: A Turtle’s Tale to more middlebrow and arthouse titles, such as The Lives of Others, Volver, Coco Before Chanel, The Girl with the Dragon Tattoo

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The Palgrave Handbook of Comparative New Cinema Histories


Free Download Daniela Treveri Gennari, "The Palgrave Handbook of Comparative New Cinema Histories"
English | ISBN: 3031387880 | 2024 | 510 pages | EPUB, PDF | 33 MB + 14 MB
This Handbook offers new and previously unexplored comparative approaches to the field of New Cinema History. The volume brings together contributions focussing on historical and contemporary comparative case studies of cinema-going practices, cinema distribution, exhibition and reception from a global perspective. Engaging with a wealth of empirical and archive-based sources the volume explores a wide range of methodological and theoretical approaches. This Handbook is a key addition to debates on the relationship between film industry and cinema-going practices across different political and cultural geographical dimensions.

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