Tag: Colour

Colour, Art and Empire Visual Culture and the Nomadism of Representation


Free Download Colour, Art and Empire : Visual Culture and the Nomadism of Representation By Eaton, Natasha
2013 | 432 Pages | ISBN: 1780765193 | PDF | 41 MB
Colour, Art and Empire explores the entanglements of visual culture, enchanted technologies, waste, revolution, resistance and otherness. The materiality of color offers a critical and timely force-field for approaching afresh debates on colonialism. Located at the thresholds of nomenclature, imitation, mimesis and affect, this book analyses the formation of color and politics as qualitative overspill. Here color can be viewed both as central and supplemental to early photography, the totem, alchemy, tantra and mysticism. From the 18th-century Austrian empress Maria Theresa, to Rabindranath Tagore and Gandhi, to 1970s Bollywood, color makes us adjust our take on the politics of the human sensorium as defamiliarizing and disorienting. Color wreaks havoc with western expectations of biological determinism, objectivity and eugenics. Beyond the cracks of such discursive practice, color becomes a sentient and nomadic retort to be pitted against a perceived colonial hegemony. Its alter materiality’s and ideological reinvention as a resource for independence struggles, makes color fundamental to multivalent genealogies of artistic and political action and their relevance to the present.

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Colour in sculpture a survey from ancient Mesopotamia to the present


Free Download Colour in sculpture : a survey from ancient Mesopotamia to the present By Hägele, Hannelore
2013 | 329 Pages | ISBN: 1443850276 | PDF | 4 MB
This book introduces the reader to the art of sculpture across five millennia up to the present, and from the Near East to the west. In each of the eleven chapters, a number of selected works are discussed to exemplify the circumstances and conditions for making pieces of sculpture – objects peculiar to place, time and context. Within each cultural framework, characteristics are observable that suggest various reasons for the use of colour in sculpture. These encompass local preferences, customs or cultural requirements; and others point to an impulse to enhance the expression of the phenomenal. Whether colour is really necessary or even essential to sculpted works of art is a question especially pertinent since the Renaissance. Surface finishes of sculptural representations may allude to the sensory world of colour without even having pigment applied to them. What makes polychromy so special is that it functions as an overlay of another dimension that sometimes carries further encoded meaning. In nature, the colour is integral to the given object. What the present survey suggests is that the relationship between colour and sculpture is a matter of intentional expression, even where the colour is intrinsic – as in the sculptor’s materials

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Organic Chemistry in Colour


Free Download Organic Chemistry in Colour by Paul Francis Gordon , Peter Gregory
English | PDF | 1987 | 333 Pages | ISBN : 3540172602 | 38.5 MB
The foundations of the chemical dyestuffs industry were laid in 1856 when W. H. Perkin discovered the dye Mauveine. At approximately the same time modern chemistry was establishing itself as a major science. Thus, the chemistry of dyes became that branch of organic chemistry in which the early scientific theories were first used. This early eminence has now been largely lost. In fact, many of our academic and teaching institutions pay little attention to this vitally important branch of organic chemistry. We believe that this book will help to rectify this unfortunate situation. The majority of books that have been published on the subject of dyes have been technologically biased and, in our opinion, do not appeal to the mainstream organic chemist. We have, therefore, aimed at producing a book which emphasises the role of organic chemistry in dyestuffs and we have included appropriate modern theories, especially the modern molecular orbital approaches. We have assumed that the reader possesses a knowledge of the basic principles of organic chemistry;* the only other requirement is a general interest in organic chemistry.** The book should interest the newcomer to chemistry, the established academic, and the dyestuffs chemist himself.

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The Routledge Handbook of Philosophy of Colour


Free Download Derek H. Brown, "The Routledge Handbook of Philosophy of Colour "
English | ISBN: 0415743036 | 2020 | 500 pages | EPUB | 4 MB
From David Hume’s famous puzzle about "the missing shade of blue," to current research into the science of colour, the topic of colour is an incredibly fertile region of study and debate, cutting across philosophy of mind, epistemology, metaphysics, and aesthetics, as well as psychology. Debates about the nature of our experience of colour and the nature of colour itself are central to contemporary discussion and argument in philosophy of mind and psychology, and philosophy of perception.

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Luftwaffe im Focus – Spezial Colour Number 1 Unveröffentlichte Aufnahmen. Dt. Engl


Free Download Axel Urbanke, "Luftwaffe im Focus – Spezial Colour Number 1: Unveröffentlichte Aufnahmen. Dt. /Engl."
Deutsch, English | 2003 | ISBN: 3980846830 | PDF | pages: 47 | 49.1 mb
This is the first special edition of Luftwaffe im Focus and contains only color photos of Lufwaffe subjects. Because the original file of the book was lost in a computer crash it can never be reprinted.

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Famous Ships of World War 2 in Colour


Free Download Chris Ellis – Famous Ships of World War 2 in Colour
Arco Publishing Company | 1977 | ISBN: 0668042257, 0668042311 | English | 211 pages | PDF | 70.31 MB
The variety of ships featured are representative of the many types of classes of ship involved in WW2. The first part illlustrates in colour 71 different ships accompanied by brief details of the vessel concerned, and importantly, many of the pictures show the ships in their camouflage schemes. The second part gives a biography of each of the 71 ships illustrated, describing the ship’s design background, its armament, armour, machinery, and salient features, followed by its wartime history and fate. Further chapters deal with wartime colour schemes, and schematic camouflage patterns (line drawings).

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