Tag: Godard

Cinecepts, Deleuze, and Godard-Miéville Developing Philosophy through Audiovisual Media


Free Download Jakob A Nilsson, "Cinecepts, Deleuze, and Godard-Miéville: Developing Philosophy through Audiovisual Media"
English | ISBN: 1474499988 | 2023 | 240 pages | PDF | 11 MB
As the spread of knowledge and even theory becomes an increasingly audiovisual affair, how can philosophy adapt in ways that develop – rather than dilute – philosophical rigor and specificity? How can philosophy harness the potential of audiovisual media – being more formally multidimensional than text-only – to conceptualize with greater precision and depth?

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The Body in Jean-Luc Godard’s New Wave Films


Free Download Francesca Minnie Hardy, "The Body in Jean-Luc Godard’s New Wave Films "
English | ISBN: 103223203X | 2023 | 92 pages | EPUB, PDF | 3 MB + 3 MB
This original study examines the representation of the body in French New Wave films through discussion of a series of films by Jean-Luc Godard, perhaps the central figure of the French New Wave.

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Utopian Television Rossellini, Watkins, and Godard beyond Cinema


Free Download Utopian Television: Rossellini, Watkins, and Godard beyond Cinema By Michael Cramer
2017 | 304 Pages | ISBN: 1517900395 | PDF | 5 MB
Television has long been a symbol of social and cultural decay, yet many in postwar Europe saw it as the medium with the greatest potential to help build a new society and create a new form of audiovisual art. Utopian Television examines works of the great filmmakers Roberto Rossellini, Peter Watkins, and Jean-Luc Godard, all of whom looked to television as a promising new medium even while remaining critical of its existing practices.Utopian Television illustrates how each director imagined television’s improved or "utopian" version by drawing on elements that had come to characterize it by the early 1960s. Taking advantage of the public service model of Western European broadcasting, each used television to realize works that would never have been viable in the commercial cinema. All three directors likewise seized on television’s supposed affinity for information and its status as a "useful" medium, but attempted to join this utility with aesthetic experimentation, suggesting new ways to conceive of the relationship between aesthetics and information.As beautifully written as it is theoretically rigorous, Utopian Television turns to the writing of Fredric Jameson and Ernst Bloch in treating the three directors’ television experiments as enactments of "utopia as method." In doing so it reveals the extent to which the medium inspired and shaped hopes not only of a better future but of better moving image art as well.

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