Tag: Sculptors

Heidegger Among the Sculptors Body, Space, and the Art of Dwelling


Free Download Heidegger Among the Sculptors: Body, Space, and the Art of Dwelling By Andrew J. Mitchell
2010 | 123 Pages | ISBN: 0804775761 | EPUB | 8 MB
In the 1950s and 60s, Martin Heidegger turned to sculpture to rethink the relationship between bodies and space and the role of art in our lives. In his texts on the subject-a catalog contribution for an Ernst Barlach exhibition, a speech at a gallery opening for Bernhard Heiliger, a lecture on bas-relief depictions of Athena, and a collaboration with Eduardo Chillida-he formulates his later aesthetic theory, a thinking of relationality. Against a traditional view of space as an empty container for discrete bodies, these writings understand the body as already beyond itself in a world of relations and conceive of space as a material medium of relational contact. Sculpture shows us how we belong to the world, a world in the midst of a technological process of uprooting and homelessness. Heidegger suggests how we can still find room to dwell therein. Filled with illustrations of works that Heidegger encountered or considered, Heidegger Among the Sculptors makes a singular contribution to the philosophy of sculpture.

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Shakespeare’s Artists The Painters, Sculptors, Poets and Musicians in his Plays and Poems


Free Download B. J. Sokol, "Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in his Plays and Poems"
English | ISBN: 1350021938 | 2018 | 344 pages | PDF | 12 MB
This study of the many poets, musicians and visual artists portrayed or described in Shakespeare’s plays and poems reveals a fascination with art and its makers that continued to influence Shakespeare’s work throughout his career. It also uncovers unexpected aspects of an enthusiastic Elizabethan consumption of artworks, an enthusiasm that had significant bearing on the quite new profession that Shakespeare himself followed. A high valuation placed on art and artists, and at the same time certain fears of these and fears for these, made for a very complex reception of the figure of the artist, and Shakespeare’s treatments were equal to that complexity.

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