Tag: Television

Prestige Television and Prison in the Age of Mass Incarceration A Wall Rise Up


Free Download Victoria Bryan, "Prestige Television and Prison in the Age of Mass Incarceration: A Wall Rise Up "
English | ISBN: 1138234516 | 2019 | 134 pages | EPUB | 942 KB
Television shows that we might call ‘prestige television’ represent prison in ways that are sometimes reductive, sometimes powerful, and sometimes exceedingly complex. This book examines various programmes across the genres of drama, comedy and horror that utilize prison or places of incarceration as a central theme or setting to show how they conform to or challenge the standard conversation about the prison industrial complex and the common understanding of prisons as violent spaces where we house the worst among us.

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Television in the Streaming Era


Free Download Television in the Streaming Era: The Global Shift
English | 2023 | ISBN: 1009199315 | 253 Pages | PDF | 2 MB
This ground-breaking study explores transformations in the TV industry under the impact of globalizing forces and digital technologies. Chalaby investigates the making of a digital value chain and the distinct value-adding segments which form the new video ecosystem. He provides a full account of the industry’s global shift from the development of TV formats and transnational networks to the emergence of tech giants and streaming platforms. The author takes a deep dive into the infrastructure (communication satellites, subsea cable networks, data centres) and technology (cloud computing, machine learning and artificial intelligence) underpinning this ecosystem through the prism of global value chain theory. The book combines empirical data garnered over 20 years of researching the industry and offers unique insights from television and tech executives.

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Re-scheduling Television in the Digital Era


Free Download Hanne Bruun, "Re-scheduling Television in the Digital Era "
English | ISBN: 0367226758 | 2019 | 132 pages | EPUB | 2 MB
This book explores how the television industry is adapting its production culture and professional practises of scheduling to an increasingly non-linear television paradigm, a testing ground where different communicative tools are tried out in a volatile industry.

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Post-Object Fandom Television, Identity and Self-narrative


Free Download Rebecca Williams, "Post-Object Fandom: Television, Identity and Self-narrative"
English | ISBN: 1501319981 | 2016 | 248 pages | EPUB | 349 KB
Fandom is generally viewed as an integral part of everyday life which impacts upon how we form emotional bonds with ourselves and others in a modern, mediated world. Whilst it is inevitable for television series to draw to a close, the reactions of fans have rarely been considered. Williams explores this everyday occurence through close analysis of television fans to examine how they respond to, discuss, and work through their feelings when shows finish airing. Through a range of case studies, including The West Wing (NBC, 2000-2006), Lost (ABC 2004 -2010), Buffy the Vampire Slayer (1997-2003), Doctor Who (BBC 1963-1989; 2005-), The X-Files (FOX, 1993-2002), Firefly (FOX, 2002) and Sex and the City (HBO, 1998-2004), Williams considers how fans prepare for the final episodes of shows, how they talk about this experience with fellow fans, and how, through re-viewing, discussion and other fan practices, they seek to maintain their fandom after the show’s cessation.

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Chinese Television and National Identity Construction The Cultural Politics of Music-Entertainment Programmes


Free Download Chinese Television and National Identity Construction: The Cultural Politics of Music-Entertainment Programmes By Lauren Gorfinkel
2017 | 253 Pages | ISBN: 1138782971 | PDF | 21 MB
This book examines music entertainment programmes on China Central Television, China’s only national level television network, as well as on nationally-available provincial channels, exploring how such programmes project a nuanced image of China’s identity and position in the world. It shows how the images presented – primarily to domestic audiences – are in step with China’s party-state nationalism, and at the same time flexible and open to change as China’s circumstances change. The book contextualises identity construction in the media by examining the development of television in China and the political struggles between provincial and national television stations, as well as by foregrounding the historical and contemporary role of musical culture in China’s nation-building project. It discusses the portrayal of the majority Han Chinese, and of ethnic minorities and their music, which, the author argues, are shown as fitting with the party-state rhetoric of "a unitary multi-ethnic state". It also outlines how the Chinese of Greater China – Hong Kong, Taiwan, Macao and the overseas Chinese – are incorporated into a mainland centred Chinese identity. In addition, it shows how the performances of foreign personalities on the Chinese television stage emphasise foreigners’ attraction to China, the uniqueness of the Chinese nation and Chinese civilisation, and the revitalised role of China in the world. Overall, the book demonstrates how the variations of Chinese identity fit with prevailing political ideologies in China and with the emerging theme of a China-centred world.

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A Critical History of Television’s the Twilight Zone, 1959-1964


Free Download A Critical History of Television’s the Twilight Zone, 1959-1964 By Don Presnell, Marty McGee
2008 | 288 Pages | ISBN: 078643886X | PDF | 9 MB
Rod Serling’s anthology series ""The Twilight Zone"" is recognized as one of the greatest shows of all time. Ostensibly science fiction, the show was that and much more; always intelligent and thought-provoking, it used conventions and techniques of several genres – science fiction, fantasy, Westerns, horror, and film noir, among others – to explore such universal human issues as violence, fear, prejudice, love, death, and individual identity.This comprehensive reference work first gives a complete history of the show, from its beginning in 1959 to its final 1964 season. The authors then provide critical commentaries and incisive analyses of all 156 episodes, along with the most complete listing of casts and credits ever published. Biographical profiles of writers and contributors comprise the book’s third main section. Detailed appendices – writers, directors, actors, genres, and a listing of all episodes in order of original airdate – are also included. An extensive bibliography and an exhaustive index conclude the work.

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