Tag: TV

July 18, 2023

Domestika – Animation of TV Bumpers with Motion Graphics

By  3D Tutorials  0 Comments

Free Download Animation of TV Bumpers with Motion Graphics by Fabio Medrano
Content Source: 

https://www.domestika.org/en/courses/118-animation-of-tv-bumpers-with-motion-graphics

Genre / Category:3D Tutorials
File Size :5.1GB
Next, review basic animation concepts like timing and spacing, types of curves, basic deformations, anticipation, action, and reaction, among other things. Fabio also tells you about the secrets of composing shots, framing, optics, and camera angles.  Once you’ve established the foundations, it’s time to look for references for your animation project and the creation of a mood board to serve as a base concept. From here, create the sketch, the storyboard, the first animatic, and polish it shot by shot, before learning to texturize with the Arnold Render and make the last composition adjustments with After Effects.  To round out the course, correct the color and light levels, learn professional post-production tricks to improve the final piece, and see the most optimal codecs and formats to upload your animation to different platforms.

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July 16, 2023

Transmedia Terrors in Post-TV Horror Digital Distribution, Abject Spectrums and Participatory Culture

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Free Download James Rendell, "Transmedia Terrors in Post-TV Horror: Digital Distribution, Abject Spectrums and Participatory Culture"
English | ISBN: 9463726322 | 2023 | 334 pages | PDF | 2 MB
In the twenty-first century horror television has spread across the digital TV landscape, garnering mainstream appeal. Located within a transmedia matrix, Transmedia Terrors in Post-TV Horror triangulates this boom across screen content, industry practices, and online participatory cultures. Understanding the genre within a post-TV paradigm, the book readdresses what is horror television, analysing not only broadcast TV and streaming platforms but also portals such as YouTube, Twitch.TV, and apps. The book also investigates complex digital media ecologies, blurring distinctions between niche and general audience viewing practices, and fostering new circulation pathways for horror television from around the world. Undertaking netnography, the book further offers an innovative model – abject spectrums – to empirically explore myriad audience responses to TV horror, manifesting in various participatory practices including writing, imagery, and crafts. As such, the book greatly expands what is considered horror television, its formatting and circulation, and the transmedia materiality of audience engagement.

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